In the seating area, Gatsby Wall Covering turns the wall into an active surface. Its intersecting geometry adds movement and visual texture, giving the space character without relying on additional decoration.

This kind of area carries many small sounds at once: informal conversations, movement, coffee, laptops and short pauses between meetings. Gatsby brings acoustic absorption into the vertical plane, close to where people sit and gather.

The result is a wall treatment that feels expressive, but still purposeful. It gives the seating area a clear identity within the wider workplace.

The smaller discussion niche uses a quieter combination of Vertigo and Plain Wall Covering. Here, the acoustic treatment becomes more intimate. The textured and plain surfaces work together to create a more contained setting for remote meetings or focused work.

This is where the flexibility of ARCHISONIC® Felt becomes visible. The same material family can move from graphic pattern to linear relief to plain acoustic surface, depending on what the room needs.

In the United States, Habitat Matter supports architects and designers in sourcing, specifying and coordinating sustainable acoustic materials for interior projects. In this workplace, that role is visible in the way different wall treatments are brought together as one coherent acoustic material strategy.

Gatsby, Vertigo and Plain are all made from ARCHISONIC® Felt, our lightweight acoustic material made from 100% PET with 60% certified post-consumer content. Its soft surface, precise cuttability and broad colour palette allow acoustic wall treatments to become part of the interior language rather than a separate technical layer.

At Uber New York, the wall coverings support different kinds of workplace interaction. Some walls add energy. Others create calm. Some simply make a smaller space easier to use.

Together, they help the office move between openness, focus and exchange with a consistent acoustic material language.